03 november 2017

Is This Burning An Eternal Flame

That title is for my friend Hélène, who took the pictures for this post, and made people run out of a karaokebar with their hands over their ears by singing that song. She's awesome. We took pictures together once before and it got a bit weird, but this time we were on a really quiet street so what could possibly happen...


Oh. Ok.

So after these girls stopped by to help we got on with our real mission: getting nice and clear pictures of my latest sewing project!


Um...

As you can maybe see if you look closely, I've made another Rigel. It is, in fact the fifth time I've made this pattern. Does that mean it's a TNT?  I would change something if I ever make this again (and let's face it, I probably will) and that is to cut a smaller size. I didn't think about it since this is not a fitted garment, but my shape has changed drastically since the first time I made it (three years ago) and I could definitely go down a size or two. It's wearable, but it's on the verge of just plain too large instead of slightly oversized.


FINALLY, DETAIL!

This was one of those rare occasions where I got a fabric with a project in mind and never changed my mind about it, even though it spent about a year in the stash before I got around to it. It's a drapey wool bouclé with some gold brushed over it, making the loops look like soft sequins. I bought it from the Fabric Sales when they had a webshop at some point in time. It was easy to work with and didn't fray as much as I had expected, maybe the gold paint holds the fabric together a bit?


I used black velvet for the pocket welts and plain black cotton ribbing for the cuffs, waistband and neckline. This jacket is also lined in a burgundy acetate lining, using the same method I've always used (sew jacket and lining separately until you're about to install ribbing and zipper, then baste together and treat as one layer). The lining is not just to make the jacket easier to put on, it also gives the loosely-woven bouclé some structure and support. That, and the thought of exposing the massacre that is me doing welt pockets gives me hives. Not having to make those things look pretty takes such a huge amount of stress away!


Here's when Hélène told me to pose like I was thinking about art. I was also showing off the yoghurt I'd spilled down my skirt during lunch earlier. Classy.

Making this was pretty uneventful, apart from accidentally cutting my sleeve lining ten cm too short so I had to do some piecing to fix that. It will be too cold for this jacket soon (boo!) but I do have some fabric left, and it might be just enough to squeeze a short straight skirt out of it. Can I get away with a gold bouclé two-piece?

'You should pretend to be a model'
I highly doubt it, but I'll probably try it anyway.

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